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Winner of top prizes from nine international competitions, EMIL ISRAEL CHUDNOVSKY is a dazzling presence on the global music scene. He is the recipient of 1st Prize from the XI International Curci Violin Competition (Naples), 1st Prize from the Young Artists Competition of the National Federation of Music Clubs and, most recently, 1st prize from the Valsesia-Musica International Violin Competition (Milan). Twice a laureate of the “Premio Paganini” International Competition, he also holds 2nd Prize from the D’Angelo International Competition, as well as awards from the Rodolfo Lipizer, Szeryng and Enescu international competitions.
Recent activities include Mr. Chudnovsky’s debut recording with the St. Petersburg Symphony Orchestra, chamber music concerts at the John F. Kennedy Center for the Performing Arts, New York City’s Merkin Hall and London’s Wigmore Hall, as well as festival appearances at Ohio’s Encore Summer Festival, The Newport Music Festival and Germany’s Henselt Festival. During the summer of 2011, he made his debut with Mexico’s Orquesta Filarmónica de Jalisco, under the baton of Leslie B. Dunner.
Mr. Chudnovsky began his public career at the age of eleven, with a solo performance on Uruguayan television and in concert with the Montevideo Chamber Orchestra. That same year, he was featured in a series of live radio broadcasts from the Mostly Mozart Festival in Grahamstown, South Africa. Subsequently, he has performed to enthusiastic critical acclaim throughout the world, having toured extensively in Europe, Asia, North and South America. In the United States, he has played recital and orchestral performances in California, Florida, Georgia, Illinois, New York, Ohio, Virginia and Washington, DC. An enthusiastic collaborator, Mr. Chudnovsky founded “The Three Violinists,” together with multiple international competition prizewinners Andrew Haveron and Florin Croitoru. Designed to expand the appeal of classical music, the sold-out debut of this unique ensemble attracted extraordinary media attention.
An ardent exponent of the music of his own time, Mr. Chudnovsky has presented the world premieres of Oscar-nominee Marco Beltrami’s Suite for Violin and Cello and Benjamin Boyle’s Kreutzer Concert Fantasy, both written for him. At Carnegie Recital Hall, he gave the world premiere of Oleg Felzer’s Violin Sonata and the US premiere of Veniamin Basner’s Violin and Piano Sonata. He also played the first performances of the composers’ versions for violin and string orchestra of Mark Kopytman’s Dedication and Philip Lasser’s Vocalise, as well as premieres by young composers, including Marcus Barcham-Stevens, Matthew Halper and Inessa Zaretsky. Mr. Chudnovsky also serves on the faculty of the Benjamin T. Rome School of Music at Catholic University in Washington, DC.
Mr. Chudnovsky released his debut solo CD, “So, What have You Done Lately?” in 2000, followed in 2002 with live recordings of Jerusalem performances of Bruch and Saint-Saëns violin concerti. His third CD, “The Golden Age,” was released in 2005, making him the first American violinist to record in China for a Chinese label (JB Records). 2009 sees the release of two CDs, encompassing the accompanied works of Ysaÿe with piano and with orchestra. In North America, Mr. Chudnovsky has been heard on NPR’s “Performance Today,” Boston’s WGBH and the CBC, while, abroad, broadcasts and telecasts have included the UK’s BBC3, Italy’s RAI TV, performances from Vienna’s Razumowsky Palace, Russian television and the Voice of America.
Emil Israel Chudnovky was born in Moscow to renowned violinist Nina Beilina and the late, eminent opera conductor, Maestro Israel Chudnovsky. Mother and son immigrated to the United States when he was five, where he began violin studies at the Mannes College of Music pre-college division. Having studied at The Juilliard School and the Manhattan School of Music, he holds degrees from the Mannes College of Music and Yale University.
Emil Israel Chudnovsky performs on a copy of the ex-Joachim del Gesu, created for him in July 2010 by Howard Needham.
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BACH
Concerto #1 in a, BWV 1041
Concerto #2 in E, BWV 1042
Concerto in d for 2 Violins, BWV 1043
BARBER
Concerto, Op. 14
BARTÓK
Rhapsody #1
Romanian Folk Dances
BEETHOVEN
Concerto in D, Op. 61
Romance #1 in G, Op. 40
Romance #2 in F, Op. 50
Triple Concerto in C, Op. 56
BLOCH
Baal Shem, Suite for Violin & Orchestra
BRAHMS
Concerto in D, Op. 77
Double Concerto in a, Op. 102
Hungarian Dances (Nos. 1, 2, 5, 6, 7, 9)
BRUCH
Concerto #1 in g, Op. 26
CHAUSSON
Poème, Op. 25
KHACHATURIAN
Concerto in d (1940)
KOPYTMAN, Mark
Dedication for Violin & String Orchestra
KREISLER
Viennese Rhapsodic Fantasietta
LALO
Symphonie espagnole
LASSER, Philip
Vocalise for Violin & String Orchestra
MASSENET
Méditation from Thaïs
MENDELSSOHN
Concerto in e, Op. 64
MOZART
Adagio in E, K. 261
Concerto #1 in B-flat, K. 207
Concerto #3 in G, K. 216
Concerto #4 in D, K. 218
Concerto #5 in A, K. 219
Rondo in B-flat, K. 269/261a
Rondo in C, K. 373
NIELSEN
Concerto, Op. 33
PAGANINI
Concerto #1 in D, Op. 6
Concerto #2 in b, Op. 7
Introduction & Variations, Op. 24
Moto perpetuo
PROKOFIEV
Concerto #2 in g, Op. 63
RAVEL
Tzigane (1924)
SAINT-SAËNS
Concerto #3 in b, Op. 61
Havanaise, Op. 83
Introduction & Rondo capriccioso, Op. 28
SAINT-SAËNS /Ysaÿe
Etude en forme de valse
SARASATE
Carmen Fantasy, Op. 25
Zigeunerweisen, Op. 20
SIBELIUS
Concerto in d, Op. 47
Humoresques (Nos. 2, 3)
TCHAIKOVSKY
Concerto in D, Op. 35
Sérénade mélancolique, Op. 26
Valse-Scherzo, Op. 34
VIEUXTEMPS
Concerto #4 in d, Op. 31
Concerto #5 in a, Op. 37
Souvenir d’Amerique
VIVALDI
The Four Seasons, Op. 8
WIENIAWSKI
Concerto #2 in d, Op. 22
Légende, Op. 17
Polonaise de concert (#1) in D, Op. 4
YSAŸE
Chant d’hiver, Op. 15
Lointain Passé, Op. 11
Les neiges d’antan, Op. 23
Poème élégiaque, Op. 12
Saltarelle carnavalesque, Op. 11
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"THE GOLDEN AGE"
Saint-Saëns: Introduction & Rondo capriccioso, Op. 28
Massenet: Méditation from Thaïs
Wieniawski: Légende, Op. 17
Paganini: Le Streghe
Paganini: Caprice #24
Sarasate: Caprice basque, Op. 24
Sarasate: Romanza Andalusa
Sarasate: Zigeunerweisen, Op. 20
Lasser: La Vocalise
Kreisler: Viennese Rhapsodic Fantasietta
with Daniel Grimwood, pianist
(private label)
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"VIOLIN CONCERTI OF BRUCH & SAINT-SAËNS"
Bruch: Concerto #1 in g, Op. 26
Saint-Saëns: Concerto #3 in b, Op. 61
with Anita Kamien/Hillel Hebrew University Orchestra
(private label) |
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"SO, WHAT HAVE YOU DONE LATELY?"
(live concert recordings 1997-1999)
J.S. Bach: Sarabanda & Gigue from Partita #2 in d, BWV 1004
Händel: Affetuoso & Allegro from Sonata #4 in D, Op. 1, #13
with Ermindo Polidon, pianist
Mozart: Allegro from Concerto #3 in G, K. 216
with Boris Gurevich, pianist
Prokofiev/Heifetz: Masques from Romeo & Juliet
Paganini: Cantabile
Kreisler: Caprice viennois
with Inessa Zaretsky, pianist
Wieniawski: Polonaise brilliante, Op. 4
with Boris Gurevich, pianist
Paganini: La Campanella
with Inessa Zaretsky, pianist
Mendelssohn: Concerto in e, Op. 64
with Anita Kamien/Hillel Hebrew University Orchestra
(private label)
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"THE THREE VIOLINISTS IN CONCERT"
Paganini: La Campanella (E. Chudnovsky)
Rossini: A Word to Paganini (F. Croitoru)
Rossini/Castelnuovo-Tedesco: Figaro from The Barber of Seville (A. Haveron)
Tchaikovsky: Melodie in E-flat, Op. 42, #3 (A. Haveron)
Prokofiev/Heifetz: Masques from Romeo & Juliet (E. Chudnovsky)
Debussy: Claire de lune (F. Croitoru)
Prokofiev/Heifetz: March from Music for Children (A. Haveron)
Paganini: Cantabile in D (E. Chudnovsky)
Prokofiev/Heifetz: March from The Love for Three Oranges (F. Croitoru)
Zaretsky: Shadows of the World Appear
(E. Chudnovsky, F. Croitoru, A. Haveron)
Barcham-Stevens: Fantasy on Themes from Bizet’s Carmen
(E. Chudnovsky, F. Croitoru, A. Haveron)
with Florin Croitoru, violinist
Andrew Haveron, violinist
Inessa Zaretsky, pianist
(private label) |
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To pull off the kind of program that violinist Emil Israel Chudnovsky brought, the musician has to nail every piece. Virtuosity is just the start. Then there’s showmanship, artistry, a sense of humor and a little bit of ham. There’s a perfect sense of timing and, finally, commitment. That Chudnovsky has a lot of this was evident in sharply etched runs, broadly bowed phrases and a compelling sense of momentum."
THE WASHINGTON POST
"The real star of the evening, Emil Chudnovsky, gave notice of remarkable virtuosity. His tone was rich, his phrasing elegant. In his hands, Nigun from the Baal Shem Suite by Ernest Bloch, emerged as a passionate cry from the heart. He performed Saint-Saens with a perfect combination of dazzle and charm. Everything was played with individuality of expression that is the mark of a true artist. Chudnovsky’s talent promises a bright future."
CORAL GABLES GAZETTE
"Remarkable gifts, brilliant tone, virtuoso technique and sensitive lyricism, expressing the composer’s [Tchaikovsky] overflowing emotionality without gliding into sentimentality."
THE JERUSALEM POST
"He is already conquering a place in the aristocratic ranks of first-class violinists."
JORNAL DO BRAZIL (Rio de Janeiro)
"The concert also featured violinist Emil Chudnovsky in a smart, scintillating Introduction and Rondo Capriccioso by Saint-Saens."
THE PHILADELPHIA INQUIRER
"To the virtuoso composition, Chudnovsky brought maturity of sound and style and interpretation, exploring the depths of the work’s lyricism. Then, too, his technical display and facile fingers delivered lightness and freedom to the concerto’s demanding passages, all of which combined to make this Beethoven a musical and listening delight. He rendered a stellar encore in the fugue from J.S. Bach’s Sonata No. 1 in G Minor."
THE VIRGINIA GAZETTE
"Emil Chudnovsky’s performance was the most memorable today and unarguably the most brilliant. He was very convincing in Kopytman’s Dedication to Israel Chudnovsky and, of course, reaped the inevitable ovations from the hall with a brilliant, concert-style performance of Paganini’s La Campanella."
MUZIKALNOYE OBOZRENIYE (Moscow)
"Emil Chudnovsky dominated the musical evening. He played with such confidence and alacrity that a concertgoer exclaimed, ‘This guy can’t be real!’ It was understandable considering Chudnovsky’s graceful certitude and flawless technique. A master artist, he held the audience spellbound in a silence interrupted only by the occasional gasp. A pre-eminent musician disguised as a regular guy."
THE STAR NEWSPAPERS (Chicago)
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9/11/2011 (2:30pm) WASHINGTON COUNTY MUSEUM OF FINE ARTS
9/11/2011 (2:30pm) WASHINGTON COUNTY MUSEUM OF FINE ARTS
(Hagerstown, MD)
Ysaÿe: Poème élégiaque
Bloch: Baal Shem Suite
Strauss: Violin Sonata
with Michael Sheppard, pianist
9/25/2011 (2pm) BRIGHTON GARDENS FRIENDSHIP HEIGHTS (Chevy Chase, MD)
Recital (solo)
11/6/2011 (2pm) BRIGHTON GARDENS FRIENDSHIP HEIGHTS (Chevy Chase, MD)
Recital (solo)
11/9/2011 (7pm) GRAND OAKS (Washington, DC)
Recital
with Michael Sheppard, pianist
2/11/2012 (8pm) PRINCE GEORGE’S PHILHARMONIC
Charles Ellis, conductor
Hallam Theatre, Prince George’s Community College (Largo, MD)
Wieniawski: Violin Concerto #2 |
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