Since winning the 1998 Gold Medal of the prestigious International Violin Competition of Indianapolis, JUDITH INGOLFSSON has established herself world-wide as an artist of uncompromising musical maturity, extraordinary technical command and charismatic performance style.

A native of Iceland, Judith Ingolfsson made her debut as orchestral soloist in Germany, at the age of eight. In the United States, she has been heard with The Philadelphia Orchestra, Indianapolis Symphony Orchestra, Saint Louis Symphony Orchestra, Washington’s National Symphony Orchestra and The Chamber Orchestra of Philadelphia and Wisconsin Chamber Orchestra, as well as the orchestras of Austin, Bakersfield, Binghamton, Boulder, Bozeman, Dayton, Grand Rapids, Kalamazoo, Kenosha, Lexington, Louisville, Memphis, New Haven, Omaha, Pacific, Roswell, San Diego, San Juan, South Carolina, Vermont, Victoria, West Virginia and Wichita; and she has collaborated with many of the acclaimed maestri of our time, including Jesus López-Cobos, Raymond Leppard, Wolfgang Sawallisch, Gerard Schwarz and Leonard Slatkin. Ms. Ingolfsson was also heard as soloist with the Iceland Symphony Orchestra on its 2000 15-city North American tour, highlighted by a performance at New York City’s Carnegie Hall, while, abroad, her engagements have included Germany’s Neubrandenburg Philharmonie, the Czech Republic’s Bohemian Chamber Philharmonic Orchestra, Russia’s Saratov Philharmonic, Royal Chamber Orchestra of Tokyo and Budapest Philharmonic Orchestra, with which she recorded the Tchaikovsky Violin Concerto for the orchestra’s BPO Live label.

Highlights of Judith Ingolfsson’s current season includes performances with the Midland, Mid-Atlantic and Pine Bluff symphony orchestras and a recital on the University of Utah Virtuoso Series. Abroad, she is soloist with England’s Bollington Festival Orchestra, Germany’s Brandenburgisches Staatorchester Frankfurt and Jenaer Philharmonie, as well as Romania’s Filarmonica de Stat Sibiu. With her partner, pianist Vladimir Stoupel, she also tours throughout Europe with The Ingolfsson-Stoupel Duo.

Judith Ingolfsson’s recital performances have taken her throughout the United States and around the world: National Gallery of Art in Washington, DC, Cleveland Institute of Music, La Jolla Chamber Music Society, Reykjavík Arts Festival, Pro Arte Musicale of Puerto Rico, La Asociación Nacional de Conciertos de Panamá, Macao Cultural Center and Tokyo Metropolitan Art Center. With pianist Vladimir Stoupel, she has performed in Germany, Italy and on Brooklyn’s famed Bargemusic series. An avid chamber musician, she has collaborated with the Avalon and Miami String Quartets and the Broyhill Chamber Ensemble, and has appeared, both on tour and at Lincoln Center for the Performing Arts’ Alice Tully Hall, with the Chamber Music Society of Lincoln Center Two. Her festival appearances include the Appalachian Summer Festival, Boulder Bach Festival, Cape and Islands Chamber Music Festival, Grand Teton Music Festival, Finland’s Kuhmo Chamber Music Festival, Germany’s Bodensee Festival, Switzerland’s Menuhin Festival and the Orlando Festival in The Netherlands. 

Judith Ingolfsson has frequently appeared on radio and television broadcasts, beginning with a performance on Icelandic TV at the age of five. Since then, she has been seen on PBS, "CBS Sunday Morning" and Japan’s National Broadcasting Company (NHK). In 1999, National Public Radio’s "Performance Today" named her "Debut Artist of the Year" for her "remarkable intelligence, musicality, and sense of insight." She is also the recipient of the 2001 Chamber Music America/WQXR Record Award for her debut CD for Catalpa Classics, featuring a varied program ranging from Bach to Ned Rorem. Spring 2008 saw the release of her recording of Tchaikovsky’s Violin Concerto with the Budapest Philharmonic Orchestra, available on the orchestra’s own label.

At the age of 14, Judith Ingolfsson was admitted to The Curtis Institute of Music in Philadelphia, where she pursued studies with the legendary violinist and pedagogue Jascha Brodsky. She went on to earn her Master’s degree from the Cleveland Institute of Music as a student of David Cerone, and continued her graduate studies at the same institution while working with Donald Weilerstein. Prior to her triumph at the Indianapolis Competition, Ms. Ingolfsson, who began violin studies at the age of three, was a prize-winner at the Concert Artists Guild Competition in New York City and the Paganini International Violin Competition in Genoa, Italy. In 2008, she concluded two years of service on the faculty of the College of Music of the University of Colorado at Boulder. In the Fall of 2008, she was appointed Professor on the distinguished faculty of the Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart.

In 2006, Judith Ingolfsson was appointed to the faculty of the College of Music of the University of Colorado at Boulder. She performs on a Lorenzo Guadagnini violin, crafted in 1750.

www.judithingolfsson.com                                                       

BACH                        
Concerto #1 in a, BWV 1041
Concerto #2 in E, BWV 1042
Concerto in d for 2 Violins, BWV 1043
BARBER                             
Concerto, Op. 14
BARTÓK                              
Concerto #2  (1938)
BEETHOVEN                      
Concerto in D, Op. 61
Romance #1 in G, Op. 40
Romance #2 in F, Op. 50
Triple Concerto in C, Op. 56
BERG                                    
Concerto  (1935)
BRAHMS                            
Concerto in D, Op. 77
Double Concerto in a, Op. 102
BRUCH                                 
Concerto #1 in g, Op. 26
Scottish Fantasy, Op. 46
CHAUSSON                         
Poème, Op. 25
DVORÁK                              
Concerto in a, Op. 53
Romance in f, Op. 11
GLAZUNOV                         
Concerto in a, Op. 82
HALLGRÍMSSON              
Poemi  (1984)
HAYDN                                 
Concerto #1 in C
KHACHATURIAN              
Concerto in d  (1940)
KORNGOLD                       
Concerto in D, Op. 35  (1946)
MENDELSSOHN                
Concerto in e, Op. 64
MOZART                              
Concerto #1 in B-flat, K. 207
Concerto #2 in D, K. 211
Concerto #3 in G, K. 216
Concerto #4 in D, K. 218
Concerto #5 in A, K. 219
PAGANINI                           
Concerto #1 in D, Op. 6
Concerto #2 in b, Op. 7
PROKOFIEV                        
Concerto #1 in D, Op. 19
Concerto #2 in g, Op. 63
RAFF                                     
Concerto #2 in a, Op. 206
RAUTAVAARA
Concerto (1976-77)
RAVEL                                 
Tzigane  (1924)
SAINT-SAËNS                     
Concerto #3 in b, Op. 61
Havanaise, Op. 83
Introduction & Rondo capriccioso, Op. 28
SARASATE                          
Carmen Fantasy, Op. 25
Zigeunerweisen, Op. 20
SCHNITTKE                        
Concerto Grosso #1  (1977)
SCHUMANN
Concerto in d, Op. posth.
SHOSTAKOVICH               
Concerto #1 in a, Op. 77  (revised as Op. 99)
Concerto #2 in c#, Op. 129  (1967)
SIBELIUS                             
Concerto in d, Op. 47
6 Humoresques
SZYMANOWSKI
Concerto #2, Op. 61  (1933)
TCHAIKOVSKY                  
Concerto in D, Op. 35
Sérénade mélancolique, Op. 26
Souvenir d’un lieu cher, Op. 42
Valse-Scherzo, Op. 34
VIEUXTEMPS                     
Concerto #5 in a, Op. 37
VIVALDI                             
The Four Seasons, Op. 8
WIENIAWSKI                      
Concerto #1 in f#, Op. 14
Concerto #2 in d, Op. 22  
Fantaisie brilliante on Themes from Gounod’s Faust, Op. 20
Polonaise de concert (#1) in D, Op. 4      
Polonaise brillante (#2) in A, Op. 21
 
TCHAIKOVSKY: Violin Concerto in D, Op. 35
with Rico Saccani/Budapest Philharmonic Orchestra
BPOL1042
BLOCH: Poème mystique (Sonata #2)
BACH: Sonata #3 in C, BWV 1005
ROREM: Autumn Music
WIENIAWSKI: Fantaisie brillante on Themes from Gounod’s Faust
with Ronald Sat, pianist
CATALPA CLASSICS: 30101

"In a taut account of Bach’s unaccompanied Sonata No. 3, Ms. Ingolfsson did a fine job of keeping the voices and relationships in the fugue clear and distinct, and she gave a sizzling account of the closing Allegro assai.  She ended with Wieniawski’s Fantaisie Brillante, a diffuse showpiece that invites a violinist to produce both fireworks and a singing tone, areas in which Ms. Ingolfsson had by then shown her considerable strengths."
THE NEW YORK TIMES

"In the little more than two years since she played her debut here, Judith Ingolfsson has won major competitions and prizes.  When she played again Friday at St. Mark’s Church - the same setting as her debut - she showed that her recent experience has expanded her ability to let her music speak confidently and personally to listeners."
THE PHILADELPHIA INQUIRER

"Violinist Judith Ingolfsson was superb in her straddling of Barber’s opposing impulses of romance and sobriety, and she displayed welcome earnestness and virtuosity in athletic passages."
SAN DIEGO UNION-TRIBUNE

"Ingolfsson brought her 1683 Stradivarius to Annapolis to play the Violin Concerto of Aram Khachaturian, a work full of pulsating rhythms, exotic folk melodies and eye-popping displays of technical fireworks. The performance was spectacular."
THE BALTIMORE SUN

"Guest soloist Judith Ingolfsson is a violinist whose star has risen, the winner of the prestigious gold medal in the International Violin Competition of Indianapolis in 1998. She played the early upper-register strains of the neo-Romantic and arresting Violin Concerto in D by Korngold. Ingolfsson used every millimeter of the bow and dispatched upper-register scale runs with searing intensity. Most impressive was her ability to make the instrument sing, communicating emotion with an ethereal magic."
NEW HAVEN REGISTER

"The best was the Violin Concerto by Samuel Barber, played by the superb young violinist Judith Ingolfsson. She ingratiated her sound superbly with the ensemble; she was at once part of the orchestra, and above it. Her instrument projected a meaty, gorgeous sound in all registers, and Ingolfsson negotiated the lyrical melodies and the more agitated measures with soulful assurance. In the ‘perpetual motion’ third movement, she displayed the precise bravura technique that won her the top prizes at several prestigious competitions."
THE WICHITA EAGLE

"Judith Ingolfsson was featured in Tchaikovsky’s Violin Concerto in D, and she brought the house down. Santa Maria audiences know and appreciate exquisite performances."
SANTA BARBARA NEWS-PRESS

"Judith Ingolfsson, a violinist from Iceland, played Barber’s Violin Concerto with just the right mixture of easy grace, sonic luster and patrician refinement."
THE WASHINGTON POST

THE INGOLFSSON-STOUPEL DUO
Formed with the goal of presenting unique and dynamic duo programs that break the mold of the traditional violin/piano recital, these programs are based on the belief that the most communicative sonata performances are musical conversations between two equal partners. Judith Ingolfsson and Vladimir Stoupel are both distinguished, internationally renowned soloists, who are passionate about playing the very best of the beloved chamber music repertoire, combined with unusual, rarely performed or newly discovered scores in the intimate setting of a recital. For orchestral engagements, the Duo also offers the double concerti of Haydn, Mendelssohn and Berg.

SAMPLE PROGRAMS
I
Simon Laks and Maurice Ravel
Laks: Trois pièces de concert for Violin & Piano (1933)
Ysaÿe: Sonata "Ballade" for violin solo, Op. 27, #3 (1924)
Ravel: La Valse (version for solo piano; 1920)
Intermission
Ravel: Sonata for Violin & Piano (1923-1927)
Laks: "Suite polonaise" for Violin & Piano (1935)

II
Maurice Ravel, Haflidi Halgrímsson, Franz Schubert
Ravel: Sonata for Violin & Piano (1923-1927)
Ravel: La Valse (version for solo piano; 1920)
Intermission
Hallgrímsson: Offerto for Violine solo, Op. 13
Schubert: Rondo in b for Violin & Piano, D. 895

III
Robert Schumann, Ludwig van Beethoven, Guiseppe Tartini, Igor Stravinsky
Schumann: Faschingsschwank aus Wien, Op. 26
Beethoven: Sonata #10 in G for Violin & Piano, Op. 96
Pause
Tartini: Sonata in g for violin solo ("Devil’s Trill")
Stravinsky: Divertimento for Violin & Piano
(after Tchaikovsky’s ballet “The Fairy’s Kiss”)

9/20/2008 (5pm) MUSIK IN DER BORKHEIDE (Germany)
Duo-Recital with Vladimir Stoupel, pianist
Tartini: Violin Sonata in g (violin solo)
Mendelssohn: Fantasy in f# (piano solo)
Schulhof: Suite #3 (piano solo)
Tchaikovsky: Sérénade mélancolique
Tchaikovsky: Méditation
Tchaikovsky: Valse-Scherzo

10/2/2008 (7:30pm) MID-ATLANTIC SYMPHONY ORCHESTRA
Julien Benichou, conductor
Avalon Theatre (Easton, MD)
Beethoven: Violin Concerto

10/4/2008 (7:30pm) MID-ATLANTIC SYMPHONY ORCHESTRA
Julien Benichou, conductor
Community Church at Ocean Pines (Berlin, MD)
Beethoven: Violin Concerto

10/5/2008 (3pm) MID-ATLANTIC SYMPHONY ORCHESTRA
Julien Benichou, conductor
Mariner Bethel Church (Ocean View, DE)
Beethoven: Violin Concerto

10/30/2008 (7pm) FILHARMONICA DE STAT SIBIU (Romania)
Petre Sbarcea, conductor
Sala Thalia
Beethoven: Violin Concerto

11/19/2008 (7:30pm) CHAMBER MUSIC SERIES (Gorizia, Italy)
Rimsky-Korsakov: Piano Trio
Messiaen: Quatuor pour la fin du temps
with Leonid Gorokhov, cellist
Michael Kern, clarinetist
Vladimir Stoupel, pianist

12/3/2008 (7:30pm) UNIVERSITY OF UTAH VIRTUOSO SERIES
Libby Gardner Concert Hall
Debussy: Violin Sonata
Vieuxtemps: Trois Morceaux
Ysaÿe: Solo Violin Sonata #6
Franck: Violin Sonata
with Anne Epperson, pianist

2/7/2009 (8pm) HOCHSCHULE FÜR MUSIK & DARSTELLENDE KUNST STUTTGART
Konzertsaal
Duo-Recital with Vladimir Stoupel, pianist

2/14/2009 (8pm) MIDLAND SYMPHONY ORCHESTRA (MI)
Antonia Joy Wilson, conductor
Midland Center for the Arts
Szymanowski: Violin Concerto #2

1/18/2009 (7:30pm) INTERNATIONALES THEATER (Frankfurt)
Duo-Recital with Vladimir Stoupel, pianist

3/5/2009 (8pm) JENAER PHILHARMONIE
Nicholas Milton, conductor
Volkshaus Jena
Rautavaara: Violin Concerto

3/6/2009 (6pm) MENDELSSOHN REMISE (Berlin)
Duo-Recital with Vladimir Stoupel, pianist

3/12/2009 (8pm) EMBASSY OF ICELAND (Berlin)
Duo-Recital with Vladimir Stoupel, pianist

3/29/2009 (3pm) PINE BLUFF SYMPHONY ORCHESTRA
Dr. Charles Jones Evans, conductor
Fine Arts Auditorium, University of Arkansas at Monticello
Korngold: Violin Concerto

3/30/2009 (7pm) PINE BLUFF SYMPHONY ORCHESTRA
Dr. Charles Jones Evans, conductor
Pine Bluff Convention Center Auditorium
Korngold: Violin Concerto

4/24/2009 (7pm) FESTIVAL AIGUES-VIVES EN MUSIQUE
Église Saint-Pierre
Recital

5/9/2009 (7pm) KUNST & KULTUR AUF BURG SCHLITZ
Duo-Recital with Vladimir Stoupel, pianist

5/12/2009 (8pm) BOLLINGTON FESTIVAL ORCHESTRA
Nicholas Smith, conductor
Bollington Arts Centre (Macclesfield, UK)
Tchaikovsky: Violin Concerto

5/28/2010 (8pm) HOCHSCHULE FÜR MUSIK & DARSTELLENDE KUNST STUTTGART
Konzertsaal
Brahms: String Sextet #1
Brahms: String Sextet #2
with Anke Dill, violinist
Andra Darzins, violist
Stefan Fehlandt, violist
Olivier Marron, cellist
Jean-Guihen Queyras, cellist

6/12/2009 (7:30pm) BRANDENBURGISCHES STAATSORCHESTER FRANKFURT
Zsolt Hamar, Leitung
Konzerthalle (Frankfurt)
Tchaikovsky: Violin Concerto

6/14/2010 (7pm) HOCHSCHULE FÜR MUSIK & DARSTELLENDE KUNST STUTTGART
Konzertsaal
Gershwin/Heifetz: Suite from Porgy & Bess
Korngold: String Sextet

6/26/2009 (7:30pm) BRANDENBURGISCHES STAATSORCHESTER FRANKFURT
6/27/2009 (7:30pm)
Zsolt Hamar, Leitung
Culture Congress Centrum (Brandenburg)
Tchaikovsky: Violin Concerto

7/11/2009 (9:30pm) FESTIVAL MUSIQUES INTERDITES
Orchestre Philharmonique de l’Opéra de Marseille
Vladimir Stoupel, conductor
Théâtre Toursky
Laks: Poème

7/19/2009 (5pm) BRANDENBURGISCHE SOMMERKONZERTE
Haus der Offiziere
Shostakovich: Piano Trio #2
Tchaikovsky: Piano Trio
with Vladimir Stoupel, pianist
Friedemann Ludwig, cellist

7/29/2009 (8:30pm) RENCONTRES MUSICALES DE HAUTE-PROVENCE
Prieuré de Salagon (Forcalquier)
Lekeu: Piano Quartet

7/30/2009 (9pm) RENCONTRES MUSICALES DE HAUTE-PROVENCE
Prieuré de Salagon (Forcalquier)
Bruckner: String Quintet

7/31/2009 (9pm) RENCONTRES MUSICALES DE HAUTE-PROVENCE
Prieuré de Salagon (Forcalquier)
Fauré: Piano Quintet #2
Tchaikovsky: String Sextet