Comprised of clarinetist Jon Manasse and pianist Jon Nakamatsu, two of America’s most distinguished artists, the MANASSE/NAKAMATSU DUO immediately established itself with a highly acclaimed 2004 performance in Boston. Subsequent coast-to-coast touring has included appearances on some of the country’s most prestigious series: Washington’s National Gallery of Art, Eastman School of Music, Charlottesville’s Tuesday Evening Concert Series, Des Moines Art Center, Duke University, Montalvo Center for the Arts, St. Bonaventure University. The artists are also heard at the Cape Cod Chamber Music Festival, which they serve as co- directors.

Individually, Jon Manasse and Jon Nakamatsu have developed extensive repertoires and lengthy discographies. Their hundreds of performances include concerto engagements, solo recitals and chamber music collaborations with orchestras, universities and music festivals, here at home and throughout the world. Additionally, Jon Manasse served as the principal clarinetist of The Metropolitan Opera Orchestra, performing under the batons of Artistic Director James Levine and, among others, Andrew Davis, Valery Gergiev and Vladimir Jurowski; Jon Nakamatsu is the Gold Medalist of the Tenth Van Cliburn International Piano Competition.

The Manasse/Nakamatsu Duo’s debut CD, a harmonia mundi usa album of the Brahms Clarinet Sonatas, was released early in 2008. Almost immediately, The New York Times exclaimed, “Jon Nakamatsu’s contribution is just as important as Mr. Manasse’s, and their partnership is complete. Mr. Nakamatsu’s playing is as meltingly beautiful as Mr. Manasse’s. Harmonia Mundi’s production is impeccable, capturing such disparate instruments in full color and a lifelike perspective.”


January 12, 2008
BRAHMS: CLARINET SONATAS
Jon Manasse, clarinetist; Jon Nakamatsu, pianist
Harmonia Mundi HMU 907430

In an otherwise humdrum orchestral performance for American Ballet Theater a few years back, a clarinet solo wafted from the pit and riveted a listener’s (er, viewer’s) attention. The player, a glance at the program showed, was Jon Manasse, already valued for his other freelance work in New York.

But Mr. Manasse was known fondly for larger solo stints as well, and here he takes center stage in two peaks of the clarinet literature, Brahms’s Op. 120 Sonatas, in F minor and in E flat. Again the results are compelling.

Brahms wrote these works, along with a trio and a quintet, late in life under the influence of the young clarinetist Richard Mühlfeld. Warm, ripe and prevailingly mellow, they all testify eloquently to Mühlfeld’s lyrical gifts as well as to his virtuosity, and they have continued to challenge the depth and versatility of clarinetists ever since. Mr. Manasse meets the call with deft technique, exquisite sensitivity and smooth, flowing tone.

In any Brahms work with piano the term accompaniment is of limited usefulness, so inventive and assertive is the composer’s writing for the instrument. Especially in the scherzolike Appassionato movement of the E flat Sonata but in other movements as well, the clarinet and the piano are thoroughly, sensuously intertwined in a subtly shifting balance.

So Jon Nakamatsu’s contribution is just as important as Mr. Manasse’s, and their partnership is complete. In the middle of that Appassionato, the pianist takes the lead with something like one of those ineffable late Brahms piano pieces, and Mr. Nakamatsu’s playing is as meltingly beautiful as Mr. Manasse’s. Elsewhere Mr. Nakamatsu’s pianism is playful, sturdy or pushy, as appropriate.

The recorded sound is also crucial to the balance of the piano and clarinet, and Harmonia Mundi’s production is impeccable, capturing such disparate instruments in full color and a lifelike perspective.
JAMES R. OESTREICH
 

"Sunday afternoon’s opening concert of the Cape Cod Chamber Music Festival was, in a word, superb. Clarinet Jon Manasse and pianist Jon Nakamatsu - the festival’s new co-directors - dazzled the audience with their seamless, hand-in-glove combination of technical wizardry, refined musicianship and the poetic level of their interpretations."
CAPE COD TIMES
 
"Their performance on our Chamber Arts Society series was absolutely wonderful! I had even crusty-old chamber music subscribers say it was one of the best concerts they’d heard on this series in the last fifteen years, and it was so wonderful to see two young men so obviously in command of their instruments, the music, and with such musical chemistry between them. And they had a wonderful rapport with the audience. A great way to begin our chamber music season!"
KATHY SILBIGER, Executive Director
DUKE PERFORMANCES (Durham, NC)
 
"What an extraordinary experience Jon Manasse and Jon Nakamatsu gave to our packed house on Tuesday! We were honored by the artistry of these two virtuoso soloists who possess and uncanny ability to complement each other so seamlessly to produce such profound beauty and excitement. The planning of the program was brilliant, progressing from Brahms to Weber to Mendelssohn, Ravel, Kovács and up to the world premiere of the delightful Novacek rags. The energized audience adored everything and gave them a well-deserved standing ovation."
KAREN PELLÓN, Executive Director
TUESDAY EVENING CONCERT SERIES (Charlottesville, VA)

"Compelling, flawless performances. Both artists offer outstanding tone (captured with excellent sonics and engineering) and striking articulation that adds a convincing transparency to the poignant and darker bittersweetness of late Brahms."
THE CAPITAL TIMES (Madison, WI)

"The F Minor Sonata is played for its tragic melancholy, with particularly gripping piano figurations from Nakamatsu. Clarinetist Manasse sports a gracious tone, easily glides through the three octaves of the instrument, from the reedy flute registrations down through the gorgeous chalumeau bass."
AUDIOPHILE AUDITION

"RECORDING FINDS PASSION IN BRAHMS' LATE WORKS FOR CLARINET
The sonatas are lovingly served by clarinetist Jon Manasse and pianist Jon Nakamatsu. Mr. Manasse's warm, mellow tone flows over Mr. Nakamatsu's bold sculpting of the piano parts, anything but 'mere' accompaniments. Glorious music, lovingly played and naturally recorded."
THE DALLAS MORNING NEWS

BRAHMS - CLARINET SONATAS, Op. 120
Jon Manasse, clarinetist
Jon Nakamatsu, pianist
harmonia mundi usa CD: 907430
10/26/2007 (8pm) HARVARD MUSICAL ASSOCIATION IN BOSTON
Marsh Room
Saint-Saëns: Clarinet Sonata
Brahms: Clarinet Sonata #1
Mendelssohn: Rondo capriccioso (solo piano)
Kovács: Hommage à Manuel de Falla (solo clarinet)
Ravel/Hamelin: Pièce en forme de Habanera
Novacek: Four Rags for Two Jons
 
10/28/2007 (6:30pm) NATIONAL GALLERY OF ART
West Garden Court
Brahms: Clarinet Sonata #1
Weber: Grand Duo Concertant
Mendelssohn: Rondo capriccioso (solo piano)
Kovács: Hommage à Manuel de Falla (solo clarinet)
Ravel/Hamelin: Pièce en forme de Habanera
Novacek: Four Rags for Two Jons
 
11/3/2007 (8pm) MONTALVO CENTER FOR THE ARTS (Saratoga, CA)
Carriage House Theater
Brahms: Clarinet Sonata #1
Weber: Grand Duo Concertant
Mendelssohn: Rondo capriccioso (solo piano)
Kovács: Hommage à Manuel de Falla (solo clarinet)
Ravel/Hamelin: Pièce en forme de Habanera
Novacek: Four Rags for Two Jons
 
4/1/2008 (6:30pm) CAPE COD CHAMBER MUSIC FESTIVAL
The Kosciuszko Foundation House (NYC)
with Carmit Zori, violinist
 
4/17/2008 (8:15pm) MUSIC OF THE SPHERES
Christ & St. Stephen’s Episcopal Church (NYC)
Burgmüller: Duo for Clarinet & Piano
 
5/17/2008 (8pm) DES MOINES ART CENTER
Levitt Auditorium
Saint-Saëns: Clarinet Sonata
Brahms: Clarinet Sonata #1
Mendelssohn: Rondo capriccioso (solo piano)
Kovács: Hommage à Manuel de Falla (solo clarinet)
Ravel/Hamelin: Pièce en forme de Habanera
Novacek: Four Rags for Two Jons

5/25/2008 (8pm) CAPE COD CHAMBER MUSIC FESTIVAL
First Congregational Church (Wellfleet)
 
8/3/2008 (4pm) CAPE COD CHAMBER MUSIC FESTIVAL
First Congregational Church (Chatham)
Burgmüller: Duo for Clarinet & Piano
Brahms: Violin Sonata #1
Cohn: Trio con brio for Clarinet, Violin & Piano
Stravinsky: 3 Pieces for Solo Clarinet
Bartók: Contrastswith Carmit Zori, violinist