Korean pianist SOYEON LEE has already been hailed by The New York Times as a pianist with "a huge, richly varied sound, a lively imagination and a firm sense of style," while The Washington Post has lauded her for her "stunning command of the keyboard."

Soyeon Lee has been rapturously received as guest soloist with The Cleveland Orchestra and the London Symphony Orchestra, as well as the Louisiana Philharmonic Orchestra, symphony orchestras of Columbus, Napa Valley, San Diego, Scottsdale, Shreveport, New York City's Park Avenue Chamber Symphony and Orquesta Sinfónica Nacional (Dominican Republic), including performances under the batons of Rafael Frühbeck de Burgos, Jahja Ling and Otto-Werner Mueller.

Recital appearances include New York City programs at Carnegie Hall's Zankel Hall and Weill Recital Hall, Merkin Concert Hall and Lincoln Center for the Performing Art's Alice Tully Hall, Washington's John F. Kennedy Center for the Performing Arts, Cleveland’s Severance Hall, the Ravinia Festival's "Rising Stars" series, Auditorio de Musica de Nacional in Madrid - part of a 13-city tour of Spain - and Baek-Am Art Hall in Seoul. An avid chamber musician, she has collaborated with the Parker String Quartet, bassist Edgar Meyer and the Edgeffect Ensemble with Mark O'Connor, and performed at the chamber music festivals of Laguna Beach, Taos and Montréal. Among Ms. Lee's most recent collaborative projects are joint performances in Seoul with her pop-star sister, Soeun Lee.

Passionate about expanding environmental consciousness through music, Soyeon Lee gave to critical acclaim the first ever eco-awareness concert at Carnegie Hall's Zankel Hall in February 2008. Presented by TerraCycle, Inc. and Honest Tea, Inc., Ms. Lee wore a commissioned concert gown, made of over 6000 used juice pouches, by eco-fashion designer Nina Valenti. This concert, "Re!nvented," occasioned over 20 media features, including The New York Times, TimeOut New York, International Herald Tribune, V Magazine, Vogue.com, Miami magazine, the Korean Broadcasting System and ABC's "Good Morning America."

Soyeon Lee was featured on the January 2006 cover of SYMPHONY magazine’s annual "Emerging Artists" issue and in the 2008 edition of Musical America’s "More Thrills of Discovery," and her debut CD on the Naxos label, featuring sonatas of Scarlatti, was released in February 2007. Ms. Lee has been heard in live broadcasts from New York City on WQXR's "McGraw-Hill Young Artists Showcase" and WNYC's "Soundcheck," and recorded performances from Washington's WGMS and Cleveland's WCLV; she has also been heard throughout the United States on National Public Radio. A classical music documentary featuring Soyeon Lee, entitled Classic Club, has been aired nationally in Japan on NHK.

Born in South Korea, Soyeon Lee began studying the piano at the age of five. At age nine, she moved to the United States and attended the Interlochen Arts Academy, graduating with highest honors in music. Her early teachers included Victoria Mushkatkol and Marina di Pretoro. Ms. Lee earned her Bachelor’s and Master's degrees from The Juilliard School, where she studied with Jerome Lowenthal and Robert McDonald. While at Juilliard, she earned the distinguished Artist Diploma, won the Rachmaninoff Concerto Competition, two consecutive Gina Bachauer Scholarship Competitions and was awarded the Helen Fay Prize, Artur Rubinstein Prize, Susan Rose Career Grant and the William Petschek Piano Debut Award.

Soyeon Lee is a winner of the 2004 Concert Artists Guild International Competition, as well as the Second and Mozart prizes of the Cleveland International Piano Competition and the Bronze Medal of the Paloma O’Shea Santander International Piano Competition.

BARTÓK
Concerto #3 (1945)
BEETHOVEN
Concerto #1 in C, Op. 15
Concerto #2 in Bb, Op. 19
Concerto #4 in G, Op. 58
Concerto #5 in Eb, Op. 73 ("Emperor")
CHOPIN
Concerto #1 in e, Op. 11
Concerto #2 in f, Op. 21
FRANCK
Symphonic Variations
GRIEG
Concerto in a, Op. 16
MOZART
Concerto #12 in A, K. 414
Concerto #20 in d, K. 466
Concerto #23 in A, K. 488
PROKOFIEV
Concerto #1 in D-flat, Op. 10
Concerto #2 in g, Op. 16
Concerto #3 in C, Op. 26
RACHMANINOFF
Concerto #2 in c, Op. 18
Rhapsody on a Theme of Paganini, Op. 23
RAVEL
Concerto in G
SCHUMANN
Concerto in a, Op. 54
TCHAIKOVSKY
Concerto #1 in b-flat, Op. 23
SCARLATTI:
COMPLETE KEYBOARD SONATAS Vol. 8
13 Sonatas
NAXOS: 8.570010

"She played with clarity, honesty and a supple yet full-bodied sound, and gave an articulate account of the Bach-Busoni and a rhapsodic performance of Ravel’s Valse, a sensuous performance of Albéniz’s Iberia, Book I, and a fearless account of Prokofiev’s propulsive Sonata No. 7."
THE NEW YORK TIMES

"When it came to Rachmaninoff, it was pianist Soyeon Lee who captured the attention. Fleet-fingered and determined, she brought fiery virtuosity to the Rhapsody and ignited the audience’s enthusiasm."
THE SAN DIEGO UNION-TRIBUNE

"Ms. Lee draws the listener into her playing through the involvement, intelligence and utter sincerity she brings to everything she touches."
THE PLAIN DEALER (Cleveland)

"Soyeon Lee is clearly a rising star. This playing is effortless and she invariably seems to catch the most apposite of this composer’s many moods. I’d rather like to hear more of her Scarlatti (and perhaps some Bach)."
MUSICWEB INTERNATIONAL

"A high-flying pianist with beautiful technique and refined sensibility,
Soyeon Lee scored on each and every page of music with fascinating authenticity and, at the same time, with strong communication and dazzling playing. A perfect evening, a great master."
EL PAÍS (Madrid)

"She brings the strength to burst, the passion to inspire
and the delicacy to enchant."
SAN DIEGO.COM

"Throughout her Terrace Theater recital, Soyeon Lee displayed a stunning command of the keyboard, from the beautifully gauged weighting of her finger strokes to the scrupulous calibration of inner voices and dynamics. Lee clearly has an affinity for Scriabin; all the composer’s impulsive fire was delivered with high energy but without overstatement, and his lyricism emerged in sweeping arcs that seemed as natural as breathing. Even better was Ravel’s La Valse, which tapped such a rich vein of color and such cumulative power that the beauties of Ravel’s more familiar orchestral version were barely missed."
THE WASHINGTON POST

9/27/2008 (6pm) COLD SPRING HARBOR LABORATORY
Grace Auditorium

11/23/2008 (2pm) SOUTH WINDSOR CULTURAL ARTS SERIES (CT)
Wood Memorial Library

12/7/2008 (2:30pm) XAVIER UNIVERSITY MUSIC SERIES
Gallagher Student Center Auditorium
Recital

2/1/2009 (2pm) MOBILE CHAMBER MUSIC SOCIETY
Laidlaw Performing Arts Center Recital Hall, U of South AL
Brahms: Piano Quintet
with Parker String Quartet

3/25/2009 (pm) OPELIKA ARTS ASSOCIATION
Opelika Performing Arts Center
Brahms: Piano Quintet
with Parker String Quartet

4/26/2009 (4pm) PRINCETON SYMPHONY ORCHESTRA
Scott Yoo, conductor
Richardson Auditorium, Alexander Hall, Princeton University
Bartók: Piano Concerto #3

5/3/2009 (2pm) DIA: BEACON (Beacon, NY)
R. Schumann: Fantasiestücke for Piano Trio, Op. 88
C. Schumann: 3 Romances for Violin & Piano
with members of the Orchestra of St. Luke’s

5/6/2009 (7:30pm) THE MORGAN LIBRARY & MUSEUM (NYC)
5/8/2009 (7:30pm) Gilder Lehrman Jall
R. Schumann: Fantasiestücke for Piano Trio, Op. 88
C. Schumann: 3 Romances for Violin & Piano
with members of the Orchestra of St. Luke’s

5/9/2009 (2pm) BROOKLYN MUSEUM
R. Schumann: Fantasiestücke for Piano Trio, Op. 88
C. Schumann: 3 Romances for Violin & Piano
with members of the Orchestra of St. Luke’s