Hailed by The New York Times as an “especially impressive fine young pianist,” RICHARD DOWLING appears regularly across the United States and throughout the world in orchestral performances, solo recitals and chamber music collaborations. He has been acclaimed by audiences for his elegant and charismatic style of pianism which earns him frequent return engagements.
In the United States, Richard Dowling has received nationwide attention for recitals seen on the PBS program Debut and has been heard on NPR’s Performance Today, while in New York City, he has performed with orchestra at Lincoln Center for the Performing Arts’ Alice Tully Hall and in Central Park and presented recitals at Carnegie Hall’s Weill Recital Hall, 92nd Street YM-YWHA, Steinway Hall, The Metropolitan Museum of Art, Dahesh Museum, Kosciuszko Foundation, St. Bartholomew’s Church, Trinity Church, Metropolitan Club, Brooklyn Conservatory, Concordia College and The Rainbow Room at Rockefeller Center.
Richard Dowling has established himself internationally with performances in Austria, France, Germany, Italy, China, Hong Kong, Singapore, Malaysia, Australia and South Africa. In the Far East, he has performed critically acclaimed recitals at the Shanghai Conservatory of Music, Singapore’s Victoria Concert Hall and the Istana Auditorium in Kuala Lumpur. He has also conducted guest master classes at the LaSalle-SIA College of the Arts and Young Musicians’ Society in Singapore and Hong Kong’s Academy for the Performing Arts, as well as at the Shanghai Conservatory.
Richard Dowling enjoys a special affinity for France and its music, art and culture. He studied at the Conservatoire de Musique in Nice with the renowned French pianist Jeanne-Marie Darré, participated as a guest artist in the La Gesse Summer Festival, and received the Grand Prix from the French Piano Institute in Paris. He made his formal Paris recital debut at the Salle Cortot, and was subsequently invited to perform at the French Embassy in Washington, DC. Maurice Ravel and his music were the subjects of Mr. Dowling’s doctoral dissertation. His repertoire includes the complete solo and chamber piano music of Ravel and many works by Debussy, Fauré and Saint-Saëns. In recognition of his dedication to French musical art, Mr. Dowling was officially inducted as a Chevalier of the renowned Company of Musketeers of Armagnac, a honor society originally founded in the 17th century by D’Artagnan in southwest France.
A competition veteran and frequent prizewinner, Richard Dowling has been awarded first place in, among others, the San Antonio International Keyboard Competition, New Orleans International Piano Competition, Louise D. McMahon International Music Competition (OK), Oklahoma Symphony Concerto Competition, Shreveport Symphony/Wideman Concerto Competition, Midland/Odessa National Young Artist Audition and the Brazos Valley (TX) Symphony Young Artists Competition. Mr. Dowling was the recipient of a special award from the National Federation of Music Clubs, recognizing his outstanding performances of American music.
Richard Dowling celebrated the 1998 centennial of the birth of George Gershwin by performing his complete solo and orchestral works for piano. In 2001, he released Sweet and Low-Down, a Klavier Records CD containing virtually all of the solo piano works by Gershwin. He has also recorded two albumss of popular piano works by Chopin for Piano Productions Recordings and, with his duo-partner, cellist Evan Drachman, three CDs of cello and piano works: A Frog He Went a-Courting, Pairs of Pieces; Infinity; Romance and Revelation. In 2004, Klavier Records released World’s Greatest Rags, followed, in 2007, by Rhapsody in Ragtime, two discs of Mr. Dowling’s favorite American ragtime, novelty, stride and jazz piano solos. In 2010, Museum Music issued Music of Old New York - Ragtime Music & Songs from Turn-of-the-Century New York. During the summer of 2015, he recorded the complete works for solo piano of Scott Joplin - 54 rags, schottisches, waltzes and marches, to be released as a 3-CD set by Rivermont Records; this significant undertaking will be issued in commemoration of the 100th anniversary of the composer's death in 1917.
Richard Dowling has produced his own critically-revised edition of Ravel’s Trio for Violin, Cello and Piano,based on the composer’s original manuscript. In January, 2013 Alfred Music Publishing issued Zez Confrey at the Piano, Mr. Dowling’s new edition of 27 solo piano works by the 1920's American jazz master, including works that have been out-of-print, as well as transcriptions of Confrey’s disc and player piano rolls.
While studying at Yale University, Richard Dowling was honored with the Lockwood Award for performing the best recital and the Bruce Simonds Award for outstanding solo and ensemble playing; subsequently, he earned a Doctor of Musical Arts degree in piano performance from The University of Texas. His principal teacher was Abbey Simon. In the fall of 2009, he was appointed to the Board of the Yale University School of Music.
In addition to his regular concert performances, Richard Dowling is frequently heard as a member of the artist roster of The Piatigorsky Foundation, a non-profit organization dedicated to bringing live classical music to audiences across America. Since 1994, he has performed over 1000 recitals under its auspices.
Richard Dowling makes his home in New York City.
Concerto #1 in C, Op. 15
Concerto #3 in c, Op. 37
Concerto #5 in E-flat, Op. 73 ("Emperor")
Andante Spianato & Grande Polonaise, Op. 22
Concerto #1 in e, Op. 11
Concerto #2 in f, Op. 21
Variations on Mozarts La ci darem la mano, Op. 2
Ballade in F#, Op. 19
Concerto in F
Rhapsody in Blue
Variations on I Got Rhythm
Concerto in a, Op. 16
Concerto #1 in E-flat
Concerto #1 in g, Op. 25
Concerto in E, Op. 59
Concerto #21 in C, K. 467
Concerto #22 in E-flat, K. 482
Concerto #23 in A, K. 488
Concerto #25 in C, K. 503
Concerto #27 in B-flat, K. 595
Concerto for 2 Pianos in E-flat, K. 365
Concerto #3 in C, Op. 26
Concerto #1 in f#, Op. 1
Concerto #2 in c, Op. 18
Concerto in G
Carnival of the Animals
Concerto #2 in g, Op. 22
Concerto #4 in c, Op. 44
Concerto #3 in E-flat, Op. 75
TO PURCHASE CDs, visit www.dowlingmusic.com
RICHARD DOWLING PLAYS CHOPIN, Vol. I
Piano Productions Recordings: PPR 0211
RICHARD DOWLING PLAYS CHOPIN, Vol. II
Piano Productions Recordings: PPR 0906
"SWEET AND LOW-DOWN"
Klavier Records: K 11117
“GERSHWIN FOR TWO PIANOS”
Rhapsody in Blue
Rivermont Records: BSW-2227
"RHAPSODY IN RAGTIME"
Klavier Records: 11164
"WORLDS GREATEST PIANO RAGS"
Music of: Blake, Bolcom, Confrey, Gershwin, Hampton, Joplin, Lamb, Matthews, Northup, Roberts, Scott
Klavier Records: K 77035
"MUSIC OF OLD NEW YORK"
works of Joplin, Turpin, Cohan, Von Tilzer, Johnson, Paull, Europe and others
Museum Music: MM161
"ROMANCE AND REVELATION"
Rubinstein: Melody, Op. 3, #1
EDVC Music: 2903
Tchaikovsky/Piatigorsky: Valse sentimentale
EDVC Music: 2902
"PAIRS OF PIECES"
The Piatigorsky Foundation: PF 2901
Richard Dowling is an especially impressive, fine pianist.
THE NEW YORK TIMES
Ridgefield Symphony Orchestra was in fine form at the opening of its 48th season, but the high point was pianist Richard Dowling’s extraordinary encore. Following a flawless performance of Chopin’s Concerto No.2 in F minor, Dowling instantly silenced thunderous applause when he returned for his solo encore, playing a delightful Chopin nocturne. Dowling started out with a straight forward treatment of the piece but couldn’t help himself from having fun and jazzed things up with some ragtime riffs, putting his own fingerprints all over Chopin with clever variations of the popular nocturne. Everyone, especially Dowling, was all smiles at intermission.
Music of Old New York
This collection of Tin Pan Alley, Broadway, ragtime, patriotic tunes, and other turn-of-the-century New York genres is distinguished by its sumptuous musicality. Richard Dowling eschews the punchy pseudo-piano roll approach used by so many contemporary pianists in this material. This is an attractive love letter to old New York and an excellent introduction to a vital aspect of American culture.
AMERICAN RECORD GUIDE
Dowling is a musician with something to say, the skill to say it and magnetic power to make you want to listen. It wasnt just music - it was theater, story-telling of the best sort.
THE SAN ANTONIO EXPRESS-NEWS
Dowlings performance of Ravels Alborada del gracioso exhibits his genuine affection for French music. He plays with considerable depth, expressing a forceful understanding of this style of music.
Richard Dowling gave a superb all-Chopin recital. Here, clearly, is a pianist of high ideals as he approached every work with utmost attention to detail in balance, phrasing and pedalling. More importantly, his efficient technique was unfailingly musical and even the most daunting technical passages were transformed into objects of beauty. Dowling had something personal to say and impressed with impeccable control of colours and textures. He received a standing ovation and left the audience craving more.
THE BUSINESS TIMES (Singapore)
Beethoven’s Concerto No. 5 is one of the most difficult piano concertos created. Before Jon Kalbfleisch raised his baton, the on-stage interaction between the maestro and pianist Richard Dowling displayed a promising sense of confidence and excitement. The soloist’s talent immediately began to shine, and his showmanship and skill were exhibited with a great fervor balanced with a wonderfully delicate grace. Considering the nature of the Beethoven’s piece, the partnership between the conductor and soloist was integral to its success, and the musicians did not fail to impress. Throughout the concerto, the phenomenal performance from Dowling and the Lawton Philharmonic Orchestra reached the high standards the organization sets for its performances.
THE LAWTON CONSTITUTION (Oklahoma)
Dowling obviously has technique to spare; even at whirlwind tempos, his playing was quite clean. He also has a knack for dramatic underlining, taking full advantage of every possible fortissimo.
SUN-SENTINEL (Fort Lauderdale)
Pianist Richard Dowling dances through 29 Gershwin numbers with exuberance and a natural feel for rubato. He plays with what Gershwin called the stenciled style - fast, upbeat, and snappy. The recording has a dry sparkle perfect for Dowlings no-nonsense playing. If you love Gershwin, dont miss this.
AMERICAN RECORD GUIDE
SCOTT JOPLIN INTERNATIONAL RAGTIME FESTIVAL (Sedalia, MO)
GRAND SYMPHONY (Spring, TX)
Jerry Hou, conductor
Beethoven: Piano Concerto #5